In this microcast, I look at the unofficial Bond movie, Never Say Never Again (Irvin Kershner), that came off second best at the box office against the EON produced Octopussy (John Glen), when they were both released in 1983. Despite it’s generally low ranking reputation, I look at some of the elements I enjoy, including Bond’s fashion, the shark scenes, and the witty and playful script by Lorenzo Semple Jr (with uncredited rewrites by Dick Clement and Ian La Frenais from the British comedy Porridge).
In the latest episode of my podcast, Newton Talks, author Austin Fisher joins me to talk about his book, Blood in the Streets, which looks at Italian crime films cycles of the 1970s, such as the police thriller, vigilante movies, mafia narratives, and the giallo, and how they responded to the violent political turmoil happening in Italian cities at the time.
We discuss the use of locations, how cyclical film production in the 70s relied upon repetition, and how these films reflected the ‘Years of Lead’, an extraordinary period of political violence that lasted the decade.
In my latest Newton Talks podcast, Dr Joseph Oldham, author of Paranoid Visions: Spies, Conspiracies and the Secret State in British Television Drama, joins me to discuss British TV spy shows such as Callan, Tinker Tailor Soldier Spy, The Night Manager, and Spooks, among others. We discuss the small screen aesthetics of the spy drama, how social class is at the forefront of the genre, and how they deal with the ethical dilemmas involved with the subject.
In this micro-podcast, I talk about one of the definitive cult films of the 1980s, Alex Cox’s debut feature, Repo Man (1984). As well as being a filmmaker, Cox was also presenter of the BBC series Moviedrome, which has an important place in the perception of cult cinema. Listen to my podcast about one of the great anti-authoritarian films here;
In this episode of my podcast, Dr Johnny Walker joins me to talk about the book he is writing about the video rental boom of the 1970s and 1980s in Britain. We talk about how home video impacted the film industry in terms of new market opportunities, influencing future filmmakers, and also its effect on Britain’s working class and South Asian communities.