In this episode of my Cult Film Microcast series, I look at Perry Henzell’s 1972 Jamaican film, The Harder They Come. The poster above is from the American New World Pictures release, and makes a clear attempt to market the film as a blaxploitation crime picture. Like many films of the blaxploitation cycle, it has an anti-authoritarian ethos, and the music and soundtrack is a vital component in generating its mood.
In this recording, I focus on the stylistic techniques, the performance by reggae star Jimmy Cliff as Ivanoe Martin, and the famous scene set in the Rialto cinema in Kingston, where Martin goes to watch a performance of the spaghetti western Django (Sergio Corbucci, 1966).
In this series of micro-podcasts I look at individual cult films. In this episode I focus on James Glickenhaus’ often maligned The Exterminator (1980). A sleazy and very violent exploitation movie set in New York, The Exterminator features a traumatised Vietnam veteran avenging an attack on his friend, as well as the mobsters extorting local businesses. While nowhere near as respected as superficially similar New York vigilante movies like Scorsese’s Taxi Driver (1976) or Winner’s Death Wish (1974), it has enough moments of significance that make it worthy of attention in its own right. Note, for example, how it juxtaposes the hellish jungles of Vietnam with a City in economic and moral decline, and how its lead character identifies with both victims and victimisers. Listen to more of my thoughts on the movie here;
As part of my Newton Talks podcast I have started a spin-off series of short ‘microcasts’ on cult cinema, much shorter than my regular episodes. Each episode will see me introducing a different cult film. The first of these is all about Walter Hill’s The Warriors (1979). I hope you enjoy it. Have a listen here;