Newton Talks Microcast – James Edward Newton

Newton Talks Cult Film Microcast #9 Never Say Never Again

In this microcast, I look at the unofficial Bond movie, Never Say Never Again (Irvin Kershner), that came off second best at the box office against the EON produced Octopussy (John Glen), when they were both released in 1983. Despite it’s generally low ranking reputation, I look at some of the elements I enjoy, including Bond’s fashion, the shark scenes, and the witty and playful script by Lorenzo Semple Jr (with uncredited rewrites by Dick Clement and Ian La Frenais from the British comedy Porridge).

Listen here: https://audioboom.com/posts/7819272-newton-talks-cult-film-microcast-9-never-say-never-again

Newton Talks Cult Film Microcast #7 Repo Man

In this micro-podcast, I talk about one of the definitive cult films of the 1980s, Alex Cox’s debut feature, Repo Man (1984). As well as being a filmmaker, Cox was also presenter of the BBC series Moviedrome, which has an important place in the perception of cult cinema. Listen to my podcast about one of the great anti-authoritarian films here;

Newton Talks Cult Film Microcast #5 Deadbeat at Dawn

In this microcast I talk about Jim Van Bebber’s no budget, underground street gang action movie, Deadbeat at Dawn (1988).

You can listen here: https://audioboom.com/posts/7615579-newton-talks-cult-film-microcast-5-deadbeat-at-dawn

Newton Talks Cult Film Microcast #4 The Wicker Man

What more is there to say about Robin Hardy’s folk horror masterpiece The Wicker Man (1973)? Not too much. But nevertheless, in this very short microcast, I share a few thoughts on the director’s cut, the remake, and Hardy’s belated 2011 sequel/follow up The Wicker Tree.

Listen here: https://audioboom.com/posts/7605118-newton-talks-cult-film-microcast-4-the-wicker-man

Tressock Films Ltd.The Wicker Tree, Publicity & Production Stills.

Newton Talks Cult Film Microcast #3 The Harder They Come

The Harder They Come (1972) - IMDb

In this episode of my Cult Film Microcast series, I look at Perry Henzell’s 1972 Jamaican film, The Harder They Come. The poster above is from the American New World Pictures release, and makes a clear attempt to market the film as a blaxploitation crime picture. Like many films of the blaxploitation cycle, it has an anti-authoritarian ethos, and the music and soundtrack is a vital component in generating its mood.

In this recording, I focus on the stylistic techniques, the performance by reggae star Jimmy Cliff as Ivanoe Martin, and the famous scene set in the Rialto cinema in Kingston, where Martin goes to watch a performance of the spaghetti western Django (Sergio Corbucci, 1966).

Listen below: