In this latest episode of Newton Talks I talk to Tom Lee Rutter, director of Day of the Stranger, the folk horror Bella in the Wych Elm, and the forthcoming ‘almanac’ The Pocket Film of Superstitions. We discuss no budget and guerrilla filmmaking, what it’s like to make films in the Midlands and the Black Country, and Tom’s own approach to making creative horror features.
I recently attended the Prince Charles Cinema’s all night movie marathon of the teen horror movies, consisting of The Craft (Andrew Fleming 1996), Scream (Wes Craven, 1996), I Know What You Did Last Summer (Jim Gillespie, 1997), Urban Legend (Jamie Banks, 1997), The Faculty (Robert Rodriguez, 1998), and Final Destination (James Wong, 2000).
Though I was familiar with each film, bar Final Destination, which I had only seen part of previously, it was a fascinating process to watch them back to back. In particular, while their self-awareness and reflexivity was always evident, it was only when watching them together that the full extent of how much they converge, correspond, and play off each other became fully apparent. (I am not claiming that this is an original thought – clearly the PCC had thought this through already).
Firstly, Kevin Williamson is the writer of three of the six, Scream, I Know…, and The Faculty. Urban Legend also contains a link to Williamson, it stars Joshua Jackson from the TV series Dawson’s Creek which Williamson wrote. One of the jokes in the film is a reference to Jackson’s role in the series (this had to be pointed out to me since it was a reference I didn’t get).
The casting cleverly bleeds over between films. Neve Campbell and Skeet Ulrich featured in The Craft before taking the two leads in Scream. I Know… stars Sarah Michelle Geller, and Urban Legend‘s masked killer is revealed as Rebecca Gayheart, both of which appear in Williamson’s Scream 2 (not shown on this night). I Know… also stars Jennifer Love Hewitt, and one of The Faculty‘s early intertextual gags has the character of Zeke (Josh Hartnett) flogging bootleg video tapes from the back of his car claiming they contain nude scenes of Campbell and Hewitt. So, while each film demonstrates an awareness of horror, Sci-Fi, and and other movie conventions, they are also dependent upon each other – referencing their immediate predecessors and competitors.
It was also interesting to note how the films from this cycle that made the most impact on the sell out audience were those that demonstrated the greater self-reflexivity. The Craft, Scream, and The Faculty, whose narratives are dependent on self-aware and movie literate characters, received the most vocal and tangible responses from the knowledgeable crowd.
Perhaps the biggest surprise and disappointment from the cycle is that The Faculty never led to further sequels, unlike what happened to lesser films. It deserved to become a successful franchise. For those who haven’t seen it, you would have to go a long way to find a more enjoyable ensemble movie. The stand out scene comes early, when each of the utterly engaging teen characters is introduced in a sequence of terrific swagger and maximum narrative economy. For me, it is probably Rodriguez’s best few moments of screen direction.