The Mad Max Effect: Road Warriors in International Exploitation Cinema (Bloomsbury, forthcoming 2020)
The Anarchist Cinema (Intellect, 2019)
“Hot Topics and Cold Steel: Rethinking Representation, Race, and Rape in the 1970s Women in Prison Movie”, in 70s Shockers, ed Xavier Mendik, Julien Petley. (Bloomsbury, 2021)
“Animating Class in Contemporary British Television”, in Social Class and Television Drama in Contemporary Britain, ed. David Forrest, Beth Johnson. (Palgrave Macmillan, 2017)
“The Zombiefied Landscape: World War Z, ParaNorman, and the Politics of the Animated Corpse”, in Animated Landscapes, ed. Chris Pallant. (Bloomsbury, 2015).
“Progressive spaces and Battlelines: The Bristol Radical Film Festival (3-9 March 2014)”, in Necsus European Journal of Media Studies, Amsterdam University Press (Autumn 2014).
“Nunsploitation: the forgotten cycle”, in Offscreen, 18:6 (September 2014).
“Turning the Western on its head: Simple subversion in Sergio Corbucci’s The Great Silence(1968),” in Offscreen, 15:11 (November 2011).
Lowenstein, Adam, Dreaming of Cinema (New York: Columbia University Press, 2015), and Slow Cinema (Edinburgh: Edinburgh University Press, 2016), reviewed for Necsus European Journal of Media Studies, Amsterdam University Press (December 2016)
Heller-Nicholas, Alexandra, Found Footage Horror Movies (McFarland, 2014), reviewed for Film Studies Volume 15 (Autumn 2016).
Child, Doreen Alexander, Charlie Kaufman: Confessions of an Original Mind (Praegar Publishers Inc, 2010), reviewed for Journal of Screenwriting 4:2 (February 2013).